Not as the boat cuts through the stillness like
a figure skater tracing a proud spiral on a zambonied ice surface.
Not when, having landed and released three
pike, I reel in a worthy walleye for lunch.
Not as the eagles and the ospreys soar
overhead, their concentrated power
reminiscent of Gerard Manley Hopkins’ “The Windhover”, “striding high there,
how he rung upon the rein of a wimpling wing in his ecstasy.”
Not when the pelicans unfurl their wings for take-off on their diamond runway.
Not as I learn to troll with a lure going
into the current, and to jig with a minnow impaled on a weighted hook.
Not as I savor the shore lunch on a small island. Dillon fries up fresh
walleye drenched in the chef’s secret mixture, and a skillet of fried potatoes
and onions.
Not even as I listen to three walleye
thrash about the ice, suffocating in their plastic tomb.
After lunch, though, as we play catch and
release, I know the jig is up.
“This will only take a second,” I console
the walleye, as Dillon extricates each hook with pliers. “After the photo, back in the
water.”
I can’t do it. Six mutilated pike and
walleye swim about Otter Lake with gashes in their mouths, contusions on their
bodies, and lures still attached like gruesome piercings, because of me.
For food, maybe. Just for sport? Not ever again.
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