A little voice told me the podcasts were not a good
idea. Did I listen? Of course not. I went ahead and tuned in to “Medical Errors,”
the week’s episode on White Coat, Black
Art with Dr. Brian Goldman. Even when I learned that the medical
mistakes involved birth tragedies, and the voice became more insistent, I
couldn’t bring myself to press pause, never mind delete. The story obsessed me. How could it not? Three miscarriages, a stillbirth by
Caesarian; after a fifth pregnancy, a child, a few days old, brain-damaged from
oxygen deprivation when the womb explodes, dead when life-support is
withdrawn. Against all odds, a
sixth conception, and, this time, a baby with a serious heart defect and a fused windpipe and
esophagus. How can anyone survive
such pain, I wonder.
I don’t think of these podcasts at all when my phone pings
at 6 :30 a.m. The text from
our son reads: Water broke; going to the
hospital. A week early. Disappointment tempers the excitement;
I can’t be with them for a few days yet, as I have committed to sessions with
teachers over the next two days. Sound bytes from the podcast do pierce my filter later in the evening, however, with the next
update. Progress is slow.
My own labour with this child’s father competes with Dr.
Goldman’s program for byte space.
I relive flashes. Sitting
in my rocker at home as the
contractions begin and then intensify.
The decision to go to the hospital. Heartbreak after hours of labour, and I am dilated only two centimetres. Really? Doing the proportional, if illogical, math, and wondering
how I can make it through another ten hours or so to get to ten centimetres,
and then summon the strength for the real work of delivery. The death-grip on my husband’s arm when
he announces he will grab a bite to eat for a few minutes. The conviction that this child will
never be born, and I will be caught forever in the contraction loop. The relief that accompanies signing the
forms for the C-section.
I live the roller coaster with my son and daughter-in-law. Labour by distance. I warn the teachers with whom I am
working of the reasons for any distraction they might notice, or any compulsive
phone-checking. I struggle to
concentrate on the work at hand, and I try to dimiss premonitions that
something might be wrong.
Erik arrives just as the session ends. I make the announcement—the teachers
deserve to know, having shared the journey with me. Everyone claps.
A photo accompanies my son’s text.
Erik is perfect, and his mother is doing well. I can breathe again.
Nothing else matters. The
news has squashed the negative voices like bugs on a fall patio. Now, we can focus on getting home,
repacking, and heading out very early the next day on the ten-hour trip to meet
our grandson.
His son in the crook of his arm, our son looks like he’s
been a father for a lot longer than 48 hours. He places Erik in my arms. The baby snuggles into my shoulder. My cheek delights in the velvet of his
skin. Enveloped in bliss and
gratitude, I imbibe his warmth. I
memorize the curve of his tiny ears, the pucker of his mouth, the long, fine
musician’s fingers.
Time stands still, and so do the haunting voices. The only voices that matter today are the ones that call me Mémère.